French Fries in the Tagine — Moroccan Alternative Music
In 2002, I spent the year researching the emergence of an alternative music movement in Morocco. Made up of a collection of genres that lie on the periphery of mainstream culture — hip-hop, 
electronica, rock/metal, fusion — alternative music had yet to break through. 2002 was its year on the cusp. In 2003, it would make its move to center stage and, within a few years, hip-hop and fusion bands would become major players in Moroccan pop culture.
My dissertation, French Fries in the Tagine: Re-imagining Moroccan Popular Music (UCLA, Department of Ethnomusicology, 2006), which focused on fusion, examined this change in the musical playing field, how it happened and what it meant. I’m posting this link to share the work and ask for feedback. I’m currently writing a book on Moroccan alternative music that will hopefully bring this fascinating story to a wider audience.
All the best,
Jeffrey Callen, Ph.D.
Now for a little music:
Deciphering Culture
Deciphering Culture 
[…] In 2002, I spent the year researching the emergence of an alternative music movement in Morocco. Made up of a collection of genres that lie on the periphery of mainstream culture — hip-hop, electronica, rock/metal, fusion — alternative music had yet to break through. 2002 was its year on the cusp. In 2003, it would make its move to center stage and, within a few years, hip-hop and fusion bands would become major players in Moroccan pop culture. … Read More […]
French Fries in the Tagine — Moroccan Alternative Music (via Possible Worlds / Art, Community & Social Change) « Secret Archives of the Vatican
June 10, 2010 at 2:50 am