The Noise Pop festival of indie rock in San Francisco (23 February to 1 March 2010) for its 18th year. I’m checking it out and pondering what exactly is “indie rock?”

• NOTES FROM THE NOISE POP FESTIVAL (24 February)
  • Wondering what exactly “indie” rock is? Is it a genre or a sensibility?
  • Anton (violinist) of “string metal” band Judgement Day told me Noise Pop is not about genre but about showcasing innovative bands.
  • So this is where the ’80 new wave led: The Fresh & Onlys (REM meets The Cure meets Live) at the Rickshaw Stop.
  • Sean Lennon at The Independent — mostly neo-psychedelic singer-songwriter stuff (competent but not interesting or engaging) . Only time  he seemed to have his own voice was on the encore song ‘This World is Made for Men.” Then, with only a solo acoustic guitar and a harmony vocal, he made a statement — simple, unadorned, poetic

• NOTES FROM THE NOISE POP FESTIVAL (25 February)
  • Art of Noise cocktail party — only thing more boring than the art was the party.
  • Tape Deck Mountain at Cafe du Nord: a great psychedelic trio with no stage presence but great songs with piercing, funny, sometimes touching lyrics. Play those pedals! Look at all those pedals! Ended the set with a straight-forward, funny, touching song: “I’ll Tell You Lies.”
  • Greg Ashley followed Tape Deck Mountain: interesting finger-picked psychedelia on a Les Paul. No lyrics — seemed like a collection of intros. Got bored and left during the third song.
  • Picture Atlantic: good hard pop rock band with good vocals but a little heavy on the hooks. How many pedals do you need to play pop rock? Tight song structure but ultimately nothing to set it apart from other competent, enjoyable bands. Three songs and I’m out.
  • Indie rock —  is it a continuation of ’80s new wave (also not well-defined) without the sense of style or the attitude but keeping the sense of humor (like new wave even when it’s morbid, it’s funny)

• NOTES FROM THE NOISE POP FESTIVAL (26 February)
  • No club hopping tonight – spending the evening at Cafe Du Nord where the Mumlers close the show tonight.
    • Four band bill:
      • The Ferocious Few: guitar/drums duo that began busking the streets of San Francisco — great roadhouse vocals (singer with standard hipster — skinny jeans, scraggly beard,  little hat — I should open a little hat store with nothing but little hats)
      • Sonny and the Sunsets: bass/guitar/drums trio that plays catchy, quirky tunes a la Jonathan Richmond
      • The Growlers: five piece local band with a devoted following — good bar ban
      • The Mumlers: six piece ensemble out of San Jose — neo retro Memphis soul — absolutely great! Could be big with a little seasoning and a little luck

• NOTES FROM THE NOISE POP FESTIVAL (27 February)
  • Industry Noise conference on the business of music
    • Highlight is keynote by Claudia Monson who handles the business side of Stephen Merritt and also plays with his Magnetic Fields ensemble.

There isn’t one Stephen Merritt style — I like this one:

• NOTES FROM THE NOISE POP FESTIVAL (28 February)
  • Dizzy Balloon at Bottom of the Hill (all ages / afternoon show)
    • One of the best bands at Noise Pop and one of the youngest — good poppy, almost bubblegum songs with Green Day panache. I was skeptical when Kevin Arnold, festival creator, touted them as one of the bands that the festival might give a bounce but, lo and behold, they are that good. Live, they’re completely professional, musically tight and FUN!
    • They ended the show with a good and very fun cover of the Jackson Five’s “I Want You Back.”
    • The clip below is “Crazy Jane”