Archive for the ‘Arts & Community’ Category
I’m a little wary of touting the work of “success gurus” (I can’t help flashing on the Chris Farley SNL motivational speaker character Matt Foley) but I make a few exceptions — Derek Silvers is one of those and he has a great trailer for his new book, “Anything You Want” published by fellow guru Seth Godin’s Domino Project.
- Leadership Through Stories?! – with Derek Sivers (mixergy.com)
- Anything You Want (sethgodin.typepad.com)
- Lessons From the Mafia for Entrepreneurs, Managers (cnbc.com)
- Short takes: different types of “creative metropoles” (decipheringculture.com)
- Keep your goals to yourself (@ DerekSilvers.com)
- Dancing Guy as a lesson in leadership (@DerekSilvers.org)
Interesting project winding up in September 2011 looks at the different strategies taken by eleven European cities to develop and support their creative industries. The Creative Metropoles project is based on a premise I share and would like to see shared in the U.S.: “a facilitator of innovation, creative industries are essential for the development of other sectors.” The cities (as different as Berlin and Riga, Amsterdam & Warsaw) will each identify their own best practices and learn from each other’s experiences — “the ambition is not only to present the good practices but also deal with current problem issues and generate new knowledge and approaches.” The project is working in 5 policy areas:
1. structure of the public support for creative industries
2. business capacity and internationalisation of creative industries
3. space for activities by creative industries and creative city districts as creative incubators
4. funding schemes for creative industries
5. demand for the outputs of creative industries, including municipalities in the role of consumers.
The final report, particularly the appendices (Good Practices from European Cities) offers an interesting view of the diversity of approaches to developing creative industries that have had significant success and point to the need to both localize (i.e., collaboration for mutual benefit among Berlin) and reach across national boundaries (i.e., relationship building between artisans and designers in Fes, Morocco and Amsterdam). There’s a lot of material and I’ve just been browsing but my first impression is there’s a lot to learn.c
Late night in the Mission, the class begins with the sound of kirtans accompanied by slowly pumped chords on the harmonium. The class members respond hesitantly, repeating back the unfamiliar sounds chanted by the teacher. The call-and-response chanting subsides and the teacher announces the first asana as tinkling sounds from a kora replace the languid chords of the harmonium. For the next two hours, the class moves forward with the musical accompaniment of the kora and manipulations of its sounds through a small array of electronic devices. It’s not the background music typically heard in an American yoga studio, but it’s not quite foreground either. Solidly in the middle, it works sometimes, fitting perfectly with the slow movements; other times, it seems distracting, an extraneous element unconnected to the physical activity.
Every Friday night since October 2007, the Midnight Yoga class at Laughing Lotus Yoga Center in San Francisco’s Mission district has offered live music as accompaniment to yoga. Developed by the yoga center’s parent studio in New York City, the class features various genres and musical configurations: kora and electronics; freestyle guitar, bass, and keys; cello, voice, loops, and percussion toys. Yael Kievsky, who has taught the class since December, says that live music to accompany yoga is simply an extension of the use of taped music as background that has been a part of yoga classes in the United States for decades.
But the addition of live music changes things: The class becomes an event — a “full-on experience”… (to read more go to East Bay Express)
From March 2 through March 5, Asian Improv aRts (AIR) and SF State’s World Music and Dance Program are holding a “collaborative presentation of public dialogue, workshops and performances exploring the intersection of traditionality and hybridity in the formation of community.” It is an interesting mix of events, culminating with “Sounding Asian Improv aRts (AIR),” the keynote session of the Annual Meeting of the Northern California Chapter of the Society for Ethnomusicology.
ImprovisAsians 2011! – The Art of Agency 3
March 2nd – 5th, 2011
San Francisco State University College of Creative Arts
All events are free and will take place at San Francisco State University, 1600 Holloway Avenue
Wednesday, March 2nd
Diaspora Tales #2 – An interdisciplinary work featuring music by the Francis Wong Unit, spoken word by A.K. Black, dance by Lenora Lee and media design by Olivia Ting. “1969” reflects upon the Third World Strike at UC Berkeley and Wong’s family history from the period.
- The Northern California Chapter of the Society for Ethnomusicology – Call for Papers (popculturetransgressions.com)
(1) Insights often come from (or are repeated by) unlikely sources. This is the case today with a blog post from Dan T. Cathy of fast food chain Chik-A-Flik based on a point made by author Stephen Covey, author of the 7 Habits of Highly Effective People (a self-help/business book I admit to checking out years ago). The insight is on the importance of knowing where you’re going when embarking on any project, whether it’s a new spicy chicken sandwich or a research project — the projected outcomes of the latter may be more open-ended but the basic principle still applies. Below is a short excerpt from Why the End Matters at the Beginning
… no journey should start without a clear destination in mind. No adventure should begin without a tangible definition of what the point is. You need to know your true north before you even take your first step..
(2) And then there are the likely sources — a recent study by the Cambridge Group delineates the strategic role of internet and mobile in developed and emerging economies. It’s a changing world (read the study report on nielsenwire).
SUMMARY: Consumers around the world are hungry for access to information and communication, especially in countries with a growing middle class. Defying classic economic models, the demand for communication (cell phones) leads traditional media growth, signifying a global, disruptive phenomenon. The demand for information via the Internet follows slower, more predictable growth patterns. The implications for marketers: lead with mobile advertising in high-growth, emerging economies. (