Deciphering Culture

Has the construction of “Creative Cities” exacerbated economic disparities?

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An important article from the Community Arts Network that raises questions regarding the actual effects of the UNESCO sponsored effort to transform 19 middle-tier cities into Creative Cities to gain global standing. The same questions apply to other communities trying to develop reputations as creative centers.

Creative City Fever: The 2010 City, Culture and Society Conference, Munich

By Tom Borrup

Singapore skyline at night

“The built city is the most complicated cultural artefact humankind has invented,” wrote Phil Wood and Charles Landry in “The Intercultural City.” And as such, cities cannot be understood from any one vantage point or through any one academic lens. A small but significant conference in Munich, Germany, in late February 2010 brought a dozen of these lenses into one room and raised a number of timely questions relevant to all of us concerned with cities, culture and social equity.

The Creative Cities movement has spread across the globe during the past decade. Since 2004, UNESCO has promoted a Creative Cities Network highlighting cultural diversity, heritage and the unique products of urban centers. Nineteen current member cities, mostly second-tier cities, compete for the gold in literature, film, music, craft and folk arts, design, media arts and gastronomy. Corporate media outlets, meanwhile, focus on the dominance of cities and their industrial, technical, medical or financial titles. Titans such as London, Hong Kong, New York, Tokyo, Singapore and Beijing compete for dominance in global finance and business acumen. Meanwhile creative-economy guru Richard Florida has turned the spotlight toward cities’ hip factor, their ability to wrestle for the top talent needed to power these 21st Century empires.

Does the Creative Economy or status as Creative City that so many North American, European and capitalist Asian cities aspire to, widen or narrow economic disparities? Is the idea of the Creative City more than the latest tourism marketing or corporate recruitment strategy? Is it an opportune rationale for repositioning investment, or a smokescreen obscuring issues of social justice, environmental sustainability and real inclusion for all people? Will Creative City Fever soon be replaced with a passion to be the Sustainable City, the Slow City, the Bio City, the Just City or just the Next Great City? (to read the rest click here)

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Written by Jeffrey Callen

March 21, 2010 at 3:06 pm

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