This week's genre transgressions (Swedish hillbilly/swing) (Canadian Arab pop/pscyhedelic/jazz/protest music) (European classical spa music) (Polish avant garde)
Swedish Hillbilly/Western Swing with some bluegrass tossed in? Bring it on! Fiddler Ralf Fredblad and company must have spent many a dark frigid Nordic night listening to the heart and soul of Appalachia. The Original Rockridge Brothers bang out some of the most authentic Hillbilly you’ll hear, without irony or any suspicious modern trappings. “Rockridge Hollerin'” is pure gold. (go to Musical Emissions)
Montreal composer Sam Shalabi has played or found his way to be involved in many genres, including punk, free jazz, improv. Lately he’s been composing for large ensembles, one of which is the 30 member Land of Kush. “Against The Day” is a five section piece whose foundation is haunting vocals, strings, and Shalabi’s Oud. Combining aspects of Arab pop with pysch, the piece begins with the eerie “The Light Over The Ranges,” before moving into the more trippy, Arabesque “Iceland Spar.” (go to Musical Emissions )
SPA MUSIC? New Book from Oxford University Press: Water Music Making Music in the Spas of Europe and North America by Ian Bradley.
Many of the most famous composers in classical music spent considerable periods in spa towns, whether taking in the waters, or searching for patrons among the rich and influential clientele who frequented these pioneer resorts, or soaking up the relaxing and decadent ambience of these enchanted and magical places. At Baden bei Wein, Mozart wrote his Ave Verum Corpus, and Beethoven sketched out his Ninth Symphony. Johannes Brahms spent 17 summers in Baden-Baden, where he stayed in his own specially-built composing cavern and consorted with Clara Schumann. Berlioz came to conduct in Baden-Baden for nine seasons, writing his last major work, Beatrice and Benedict, for the town’s casino manager. Chopin, Liszt, and Dvorak were each regular visitors to Carlsbad and Marienbad. And it was in Carlsbad that Beethoven met Goethe. Concerts, recitals, and resident orchestras have themselves played a major role in the therapeutic regimes and the social and cultural life of European and North American watering places since the late eighteenth century. To this day, these spa towns continue to host major music festivals of the highest caliber, drawing musicians and loyal audiences on both local and international levels.
This book explores the music making that went on in the spas and watering places in Europe and the United States during their heyday between (…to read more)
“Hello, New York: Avant-Garde Eastern Europe” by Steve Smith (New York Times) — Krakow’s “Unsound” Festival comes to New York City with “programs of club-oriented electronica, indie rock, free improvisation, ambient music and contemporary classical work. In some programs such distinctions become meaningless: at the opening event, for example, Sebastian Meissner, a German electronic artist, will collaborate with the young Polish contemporary-classical group Kwartludium in a project inspired by the seminal California punk-rock record label SST.” (to read more)